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    <title>trans*fabel : RSS Produkt Feed :: Missed Connections With Tall Girls</title>
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    <copyright>Copyright (c) 2026 Katja Anton Cronauer</copyright>
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      <title>Missed Connections With Tall Girls</title>
      <link>https://www.transfabel.de/index.php?main_page=product_info&amp;products_id=4482&amp;utm_source=rss&amp;utm_medium=rssfeed</link>
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      <description><![CDATA[ <a href="https://www.transfabel.de/index.php?main_page=product_info&products_id=4482&utm_source=rss&utm_medium=rssfeed"><img src="https://www.transfabel.de/images/categories/MissedConnectionsWithTallGirls.png" title="Missed Connections With Tall Girls" alt="(Bild für) Missed Connections With Tall Girls" width="113" height="200" style="float: left; margin: 0px 8px 8px 0px;"></a><h3><strong>train hopping</strong><br><strong>pill popping</strong><br><strong>fur wearing</strong><br><strong>sink pissing</strong><br><strong>tranny</strong><br><strong>punk</strong><br><strong>odes!</strong></h3><p><strong>"Sings and slangs the tattered glories of tranny life and how we live it." —imogen smith, author of </strong><i><strong>stemmy things</strong></i></p><p><strong>"A roaring good time." —Alexander MacLeod, author of</strong><i><strong> Light Lifting</strong></i></p><p> </p><p>Tweaking working-class colloquialisms into new forms of elegy and song, Gwen Aube’s hilarious and uncompromising poems chronicle a precarious, debaucherous carnival of trailer-trash divas and Discord autistics, living and delighting in survival at the edges of technocapital.<br><br>Like a digital-age Wanda Coleman, like a transsexual Kevin Killian, like Elizabeth Smart infused with Sybil Lamb, <i>Missed Connections with Tall Girls</i> establishes Aube as a brash and unstoppable singular voice for a monstrous new world.<br> </p><p><strong>PRAISE FOR </strong><i><strong>MISSED CONNECTIONS WITH TALL GIRLS</strong></i></p><p>"Bold and brazen and full of heart and downright hilarious at  times. It rolls like a memory, harkening the greats of street poetry.  Gwen is my favourite kind of poet, the kind with clear eyes that truly  see other humans, renders them beautiful."<br><strong>—katherena vermette, author of </strong><i><strong>procession</strong></i></p><p>"Weaving  through frigid squats, drug addled sorta-ecstasies, and masturbatory  escapades at the state funded gallery, Gwen Aube’s transsexual, working  class pastorals posit grime first as grime, then as glamour &  necessity, amongst the broad taxonomy of strange looking women. Assured  and conversational, each line reads like a portal through which we “know  each other off the grin alone, drawn together, amassing a girlish  storm.” In shelters, trainyards, & skeezy doctor’s waiting rooms,  Aube’s poems sing and slang the tattered glories of tranny life and how  we live it. It’s all work—as in labor and love—and reading these fucking  real ass poems, I reinvented myself in the company of our holiest  freaks."<br><strong>—imogen smith, author of </strong><i><strong>stemmy things</strong></i></p><p>"Evokes  a city of sound and shifting spaces. Here, tears “glonk” on the  sidewalk, mattresses are sometimes a chalice, sometimes a bowl,  sometimes a god, and one’s own body does not always provide a home.  Canny, understated, moving, seeking a passageway for trans lives and  lives in transition, the poet’s voice creates a haunting stillness in  the noise."<br><strong>—PEN Canada New Voices jury citation</strong></p><p>“Plays in the highs and lows, the prayers and the slurs … a brilliant collection … draws the reader into a beautiful and fraught world.”<br><strong>—</strong><i><strong>Plenitude Magazine</strong></i></p><p>"Equal  parts funny and furious, private and protective, Gwen Aube's writing  pushes our battered language right to its ecstatic, aesthetic edge.  Smart and street wise, rich in the way they portray poverty and the  beauty of trans lives, these poems joyfully and painfully re-write the  “broad taxonomy which holds us together.” <i>Missed Connections with Tall Girls </i>is serious, necessary work, but don't expect solemnity; Aube's book is a roaring good time."<br><strong>—Alexander MacLeod, author of </strong><i><strong>Light Lifting </strong></i><strong>and</strong><i><strong> Animal Person</strong></i></p><p>"WOW!  Gwen Aube makes a speedway for poems, racing up your neck and into the  mouth of your surprised, opening face! You think you know what's coming  next? NO! HAHA! There is something incredible waiting for you here."<br><strong>—CA Conrad, author of</strong><i><strong> Listen to the Golden Boomerang Return</strong></i></p><p>“Excellent characters … rich and adventurous … a great read.”<br>—The Needle</p>
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      <author>info@transfabel.de (Katja Anton Cronauer)</author>
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      <pubDate>Thu, 20 Aug 2026 15:29:38 +0200</pubDate>
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